This article (from Doug’s collection) by Theresa
Coletti looks at the content and staging of the N-Town Marian plays in light of
the religious iconography of the Middle Ages in order to better understand the
cultural function of these plays. Coletti explores the staging of the
N-Town plays as it interacts with medieval iconographic art and argues
that iconographic presentation in the N-Town plays is justified by “forms of late
medieval spirituality” (267), which I found to be a really interesting tracking
of the relationship between the N-Town plays and the society from which these
plays were born. Her overall argument is that medieval drama is inseparable
from the devotional background that produced them, and the interaction of the
two introduces a crossing of artistic sensibilities and iconographic
representations that has transformed from painting and liturgy to dramatic interpretation.
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